Lucy Dodd, “Ié,” 2019, Atlantic sea water from Cape Cod, squid ink, Agua de Florida, Wakame, spirulina, chlorella, indigo, herb water, fish silver powder, peony petal water, lapis lazuli, malachite, cavasanite, mica, cochineal, phosphorescence, hematite, selenite, tulip petal water, daffodils, peony, tyrian purple, and pigment on canvas, 182 x 384 inches, 462.3 x 975.4 cm, LD977

Lucy Dodd, “Holy Basil(ica),” installation view, Art Basel | Unlimited, Basel, Switzerland, 2019

Lucy Dodd, “Holy Basil(ica),” installation view, Art Basel | Unlimited, Basel, Switzerland, 2019

Installation view, “Reconnecting with the World: About the Poetic in Elements and Materials,” curated by Franziska Nori, Frankfurter Kunstverein, Frankfurt, Germany 2018

Lucy Dodd, “The Son,” 2018, Onion skins, urine, pyramid yellow, and cadmium on canvas, 130 x 130 inches, 330.2 x 330.2 cm, LD371

Lucy Dodd, “Hermit,” 2018, Onion skins, black walnut, squid ink, hematite, azurite, cochineal, Dragon's blood, and pigments on canvas, 108 x 108 inches, 274.3 x 274.3 cm, LD370

Lucy Dodd and Thornton Dial, Frieze, London, UK, 2019

Installation view, “Reconnecting with the World: About the Poetic in Elements and Materials,” curated by Franziska Nori, Frankfurter Kunstverein, Frankfurt, Germany 2018

Lucy Dodd, “Fox,” 2017-2018, Butterfly wings, bee balm, flowers, napkins, marker, and pigment on paper, 12 x 12 inches, 30.5 x 30.5 cm, LD325

Installation view, “Miss Mars,” Sprüth Magers, London, UK, 2018

Lucy Dodd, “Snake,”2017, Cochineal, graphite, ochre and  pigments on paper, 23 x 30 inches, 58.4 x 76.2 cm, LD503

Installation view, “May Flower,” David Lewis, New York, 2018

Installation view, “May Flower,” David Lewis, New York, 2018

Installation view, “May Flower,” David Lewis, New York, 2018

Lucy Dodd, “Peacocktwittering Lashes of the Soothing Sun,” 2018, Cuttlefish ink, hematite, kombucha SCOBY, Tetley tea, tulip flower extract, wild walnut, and pigments on canvas, 64 3/4 x 70 1/4 inches, 164.5 x 178.4 cm, LD724

Lucy Dodd, “Sweet water,” 2018, Pigmented cotton on chair frame, 24 x 26 x 26 1/2 inches, 61 x 66 x 67.3 cm, LD769

Lucy Dodd, “Earth Bull,” 2018, Pigmented cotton on chair frame, 24 x 45 1/2 x 41 inches, 61 x 115.6 x 104.1 cm, LD743

Lucy Dodd, “Grams," 2018, Pigmented cotton on chair frame, Chair: 31 x 36 x 29 1/2 inches, 78.7 x 91.4 x 74.9 cm, Ottoman: 22 x 22 x13 inches, 55.9 x 55.9 x 13 cm, LD738

Installation view, Lucy Dodd, “Topologies,” curated by Mika Yoshitake, The Warehouse, Dallas, TX, 2018

Installation view, Lucy Dodd, “Thinking Out Loud: Notes for an Evolving Collection,” curated by Allan Schwartzman, The Warehouse, Dallas, Texas, 2017

Installation view, Lucy Dodd, “Surface Work,” Victoria Miro, London, United Kingdom, 2018

Installation view, Lucy Dodd, “Generations: Female Artists in Dialog, Part 1,” Sammlung Goetz, Munich, Germany, 2018

Installation view, Lucy Dodd, “Lake in the Sky,” Sprüth Magers, Berlin, Germany, 2017

Installation view, Lucy Dodd, Frieze, London, UK, 2016

Lucy Dodd, "Catfish & Seahorse", 2018, Baby poop, wild walnut, cochineal, hematite, azurite, pigment, and acrylic on canvas, 81 x 66 inches, 203.2 x 167.6 cm, LD905

Installation view, Lucy Dodd, "Wa Wa Fall", 2017, Tulip leaf extract, hematite, rain water, and mixed pigments on canvas, 110 x 56 inches, 279.4 x 142.2 cm, LD024. Installed in "A boat is a floating piece of space, Toward the Horizon", Galleria Alfonso Artiaco, Naples, IT.

Lucy Dodd, “Jupiter's Jollity”, 2017, Charcoal, foss leaf extract, wild walnut, Yerba mate, black lichen, squid ink, hematite, kukicha, graphite, and pigment on canvas, 144 x 144 inches, 365.8 x 365.8 cm, LD047. Collection of the Walker Art Center, Minneapolis, MN.

Installation view, Lucy Dodd, "Open Plan", Whitney Museum of American Art, New York, 2016

Installation view, Lucy Dodd, "Open Plan", Whitney Museum of American Art, New York, 2016

Installation view, Lucy Dodd, "Open Plan", Whitney Museum of American Art, New York, 2016

Installation view, Lucy Dodd, "Open Plan", Whitney Museum of American Art, New York, 2016

Installation view, Lucy Dodd, "Buttercut", The Power Station, Dallas, 2016

Installation view, Lucy Dodd, "Buttercut", The Power Station, Dallas, 2016

Installation view, Lucy Dodd, "Buttercut", The Power Station, Dallas, 2016

Lucy Dodd, “The 13th Moon,” 2016, Iron glimmer, scoby, tulip pollen extract, squid ink, hematite, cochineal, spirulina, graphite, tempera and mixed pigments on canvas, 72 x 72 inches, 182.9 x 182.9 cm, LD909

Installation view, Lucy Dodd, "Gates to the Mermaid’s Den", 2016, Squid ink, charcoal, iron glimmer, hematite, spirulina, graphite, yerbe mate, chamomile, iron oxide, terra, sand, scoby, cochineal, sumac extract, tempera and mixed pigments on canvas, 120 x 240 inches, 304.8 x 609.6 cm

Lucy Dodd, “The Drooling Moon,” 2015, Verona green earth, foss leaf extract, graphite, cochineal, squid ink and mixed pigments on canvas, 54 x 58 x 68 x 32 inches (Clockwise from top), 137.2 x 147.3 x 172.7 x 81.3 cm, LD853

Installation view, Lucy Dodd, "Wuv Shop", David Lewis, New York, 2015

Installation view, Lucy Dodd, "Wuv Shop", David Lewis, New York, 2015

Lucy Dodd. “(Not titled yet),” 2015, Hematite, cochineal, quarry hill river clay, scobi, foss leaf extract, and mixed pigments on canvas, 73 x 44 x 90 x 60 inches (Clockwise from top), 185.4 x 111.8 x 228.6 x 152.4 cm, LD848

Lucy Dodd, “Shield Painting (2) from Act 1, Movement 6: Wolves & Wanderers of "Maize Mantis”,” 2015, Black walnut and pigment on canvas, (Clockwise from top left): 30 x 30 x 39 x 37 inches, 76.2 x 76.2 x 99.1.x 94 cm, LD374

Installation view, Lucy Dodd, "Jungle Blood," 2015, pigment and mixed media on canvas, 144 x 384 inches, 365.8 x 975.4 cm, LD876, Installed in "Maize Mantis (with Sergei Tcherepnin and Kerstin Brätsch)", The Kitchen, New York

Installation view, Lucy Dodd, “No Man’s Land,” The Rubell Family Collection, Miami, FL, 2015

Installation view, Lucy Dodd, “Death by Water. Death by Fire”, curated by David Lewis, Campoli Presti, Paris, France, 2013, LD551

Installation view, Lucy Dodd, "Guernika", 2014, Spanish hematite, Miami rain water and lavender oil, cochineal, kombucha SCOBY, Rota squid ink, earth from Monasterio de Suso, Aracena, Rio Tinto, la Aldea-Bejes and Guernika, chamomile and pomegranate from Segura de Leon, lichen from Sierra de Gata, yerba maté, Rio Tinto water, mica, spirulina, mixed pigments and Tyrian purple on canvas, 138 x 307.2 inches, 350.5 x 780.3 cm, LD800, Installation at The Rubell Family Collection, Miami.

Installation view, Lucy Dodd, "Cake 4 Catfish," David Lewis, New York, 2013

Installation view, Lucy Dodd, "Cake 4 Catfish," David Lewis, New York, 2013

Lucy Dodd, "2 Doors, 1 Tomb, Coming through the back side of death-right", 2013, Foss Leaf Extract, Yerba Maté, Buckhorn Berries, Wakame!, Liquid Smoke, Wild Walnut Rind, Iron Glimmer, Spirulina, Yew Berries, Hematite, Black Lichen, Urine, Charcoal, Kombucha SCOBY, Fossphorescents, Red Annato, Nettles, Mixed Pigments, and Flower Essences on Canvas, 115 x 92 inches, 292.1 x 233.7 cm, LD002, Installation view, "Cake 4 Catfish", David Lewis, New York, 2013

Lucy Dodd, "2 Doors, 1 Tomb, Coming through the backside of death-left", 2013, Leaf Extract, Yerba Maté, Liquid Smoke, Wild Walnut Kind, Hematite Iron Glimmer, Black Lichen, Bubs Urine, Charcoal, Kombucha SCOBY, Fosphorescents, Yew Berries, Spirulina, Salvia, Nettle, Red Annato, Mixed Pigments, and Flower Essence on Canvas, 115 x 92 inches, 292.1 x 233.7 cm, LD001, Installation view, "Cake 4 Catfish", David Lewis, New York, 2013

Installation view, Lucy Dodd, "The Studio Before 54", No. 5A, New York, 2013

Lucy Dodd, “the humble deep extreme,” 2012, the souls of the shoes of Nanette Lepore, Margiela, Clergerie, a half calf cowboy boot, a no name mule, and a foot with foss mud on canvas, 144 x 144 inches, 365.8 x 365.8 cm, LD375

Lucy Dodd

Born 1981 New York, NY
Lives and works in Kingston, NY

Solo Exhibitions
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2019

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2017

2016

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2014

2013

2012

2011

2010

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2019

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2017

2016

2015