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Installation view, Sean Paul, "ADVERSARIES, INC," David Lewis, New York, 2017
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Installation view, Sean Paul, "ADVERSARIES, INC," David Lewis, New York, 2017
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Sean Paul, "Dawn, 0.053 SEC.," 2017, Ultraviolet-curable pigmented ink and acrylic on polyester/polymide, 60 x 114 inches, 152.4 x 289.6 cm
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Sean Paul, "Dawn, 0.016 SEC.," 2017, Ultraviolet-curable pigmented ink and acrylic on polyester/polymide, 60 x 114 inches, 152.4 x 289.6 cm
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Sean Paul, "Doomsday Watch, 2017," 2017, Ultraviolet-curable pigmented ink and acrylic on polyester/polymide, 35 x 18 1/2 inches, 88.9 x 47 cm
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Sean Paul, "Doomsday Watch, 1991," 2017, Ultraviolet-curable pigmented ink and acrylic on polyester/polymide, 35 x 18 1/2 inches, 88.9 x 47 cm
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Sean Paul, "Doomsday Watch, 1968," 2017, Ultraviolet-curable pigmented ink and acrylic on polyester/polymide, 35 x 18 1/2 inches, 88.9 x 47 cm
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Sean Paul, "Golden Mirror, March 9, 1951 #8," 2017, Metallized Biaxially-oriented polyethylene terephthalate (BoPET), 35 x 35 inches, 88.9 x 88.9 cm
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Sean Paul, "Improvements: Ivy Mike, Teller-Ulam -modulation left; British Patent 9745, 1843 (SMPTE, NTSC, CMYK)," 2017, Ultraviolet-curable pigmented ink and acrylic on polyester/polymide, 35 x 40 inches, 88.9 x 101.6 cm
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Sean Paul, "Improvements: Ivy Mike, Teller-Ulam –modulation left/right, receding; British Patent 9745, 1843 (SMPTE, NTSC, CMYK)," 2017, Ultraviolet-curable pigmented ink and acrylic on polyester/polymide, 60 x 52 1/2 inches, 152.4 x 133.4 cm
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Installation view, Sean Paul, "Collected by Thea Westreich Wagner and Ethan Wagner," Whitney Museum of American Art, New York, 2016
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Sean Paul, " Arrangement EOS 4," 2016, Ultraviolet-curable pigmented ink and acrylic on polyester/polymide, 35 x 52 1/2 inches, 88.9 x 133.4 cm
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Installation view, Sean Paul, "Communication in the Presence of Noise," Thomas Duncan Gallery, Los Angeles, 2015
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Sean Paul, "Kilroy," 2015, Bobbinet, acrylic, and acrylic polymer on canvas, 55 x 82 1/2 inches, 139.7 x 209.6 cm
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Sean Paul, "R9," 2015, UV-curable ink and acrylic on canvas, 61 1/2 x 35 inches, 156.2 x 88.9 cm
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Sean Paul, "to be titled," 2015, UV-curable ink and acrylic on canvas, 65 x 35 inches,165.1 x 88.9 cm
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Sean Paul, "R11," 2015, UV-curable ink and acrylic on canvas, 61 1/2 x 35 inches, 156.2 x 88.9 cm
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Installation view, "Blueprints," curated by Stephanie Harris, CCS Bard Galleries, Annadale-on-Hudson, New York, 2013
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Installation view, Sean Paul, "A Moveable Feast - Part II," Campoli Presti, Paris, 2013
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Sean Paul, "Double Detail (Glade)," 2013, UV-curable ink and acrylic on Sintra, 24 x 32 inches, 61 x 81.3 cm
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Sean Paul, "Double Detail (Pond)," 2013, UV-curable ink and acrylic on Sintra, 24 x 32 inches, 61 x 81.3 cm
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Installation view, "Every Hair of the Bear," Front Desk Apparatus, New York, 2011
