Installation view, “Reconnecting with the World: About the Poetic in Elements and Materials,” curated by Franziska Nori, Frankfurter Kunstverein, Frankfurt, Germany 2018
Lucy Dodd, “The Son,” 2018, Onion skins, urine, pyramid yellow, and cadmium on canvas, 130 x 130 inches, 330.2 x 330.2 cm, LD371
Lucy Dodd, “Hermit,” 2018, Onion skins, black walnut, squid ink, hematite, azurite, cochineal, Dragon's blood, and pigments on canvas, 108 x 108 inches, 274.3 x 274.3 cm, LD370
Lucy Dodd and Thornton Dial, Frieze, London, UK, 2019
Installation view, “Reconnecting with the World: About the Poetic in Elements and Materials,” curated by Franziska Nori, Frankfurter Kunstverein, Frankfurt, Germany 2018
Lucy Dodd, “Fox,” 2017-2018, Butterfly wings, bee balm, flowers, napkins, marker, and pigment on paper, 12 x 12 inches, 30.5 x 30.5 cm, LD325
Lucy Dodd, “Snake,”2017, Cochineal, graphite, ochre and pigments on paper, 23 x 30 inches, 58.4 x 76.2 cm, LD503
Installation view, “May Flower,” David Lewis, New York, 2018
Installation view, “May Flower,” David Lewis, New York, 2018
Installation view, “May Flower,” David Lewis, New York, 2018
Lucy Dodd, “Peacocktwittering Lashes of the Soothing Sun,” 2018, Cuttlefish ink, hematite, kombucha SCOBY, Tetley tea, tulip flower extract, wild walnut, and pigments on canvas, 64 3/4 x 70 1/4 inches, 164.5 x 178.4 cm, LD724
Lucy Dodd, “Sweet water,” 2018, Pigmented cotton on chair frame, 24 x 26 x 26 1/2 inches, 61 x 66 x 67.3 cm, LD769
Lucy Dodd, “Earth Bull,” 2018, Pigmented cotton on chair frame, 24 x 45 1/2 x 41 inches, 61 x 115.6 x 104.1 cm, LD743
Lucy Dodd, “Grams," 2018, Pigmented cotton on chair frame, Chair: 31 x 36 x 29 1/2 inches, 78.7 x 91.4 x 74.9 cm, Ottoman: 22 x 22 x13 inches, 55.9 x 55.9 x 13 cm, LD738
Installation view, Lucy Dodd, “Topologies,” curated by Mika Yoshitake, The Warehouse, Dallas, TX, 2018
Installation view, Lucy Dodd, “Thinking Out Loud: Notes for an Evolving Collection,” curated by Allan Schwartzman, The Warehouse, Dallas, Texas, 2017
Installation view, Lucy Dodd, “Surface Work,” Victoria Miro, London, United Kingdom, 2018
Installation view, Lucy Dodd, “Generations: Female Artists in Dialog, Part 1,” Sammlung Goetz, Munich, Germany, 2018
Installation view, Lucy Dodd, “Lake in the Sky,” Sprüth Magers, Berlin, Germany, 2017
Lucy Dodd, "Catfish & Seahorse", 2018, Baby poop, wild walnut, cochineal, hematite, azurite, pigment, and acrylic on canvas, 81 x 66 inches, 203.2 x 167.6 cm, LD905
Installation view, Lucy Dodd, "Wa Wa Fall", 2017, Tulip leaf extract, hematite, rain water, and mixed pigments on canvas, 110 x 56 inches, 279.4 x 142.2 cm, LD024. Installed in "A boat is a floating piece of space, Toward the Horizon", Galleria Alfonso Artiaco, Naples, IT.
Lucy Dodd, “Jupiter's Jollity”, 2017, Charcoal, foss leaf extract, wild walnut, Yerba mate, black lichen, squid ink, hematite, kukicha, graphite, and pigment on canvas, 144 x 144 inches, 365.8 x 365.8 cm, LD047. Collection of the Walker Art Center, Minneapolis, MN.
Installation view, Lucy Dodd, "Open Plan", Whitney Museum of American Art, New York, 2016
Installation view, Lucy Dodd, "Open Plan", Whitney Museum of American Art, New York, 2016
Installation view, Lucy Dodd, "Open Plan", Whitney Museum of American Art, New York, 2016
Installation view, Lucy Dodd, "Open Plan", Whitney Museum of American Art, New York, 2016
Installation view, Lucy Dodd, "Buttercut", The Power Station, Dallas, 2016
Installation view, Lucy Dodd, "Buttercut", The Power Station, Dallas, 2016
Installation view, Lucy Dodd, "Buttercut", The Power Station, Dallas, 2016
Lucy Dodd, “The 13th Moon,” 2016, Iron glimmer, scoby, tulip pollen extract, squid ink, hematite, cochineal, spirulina, graphite, tempera and mixed pigments on canvas, 72 x 72 inches, 182.9 x 182.9 cm, LD909
Installation view, Lucy Dodd, "Gates to the Mermaid’s Den", 2016, Squid ink, charcoal, iron glimmer, hematite, spirulina, graphite, yerbe mate, chamomile, iron oxide, terra, sand, scoby, cochineal, sumac extract, tempera and mixed pigments on canvas, 120 x 240 inches, 304.8 x 609.6 cm
Lucy Dodd, “The Drooling Moon,” 2015, Verona green earth, foss leaf extract, graphite, cochineal, squid ink and mixed pigments on canvas, 54 x 58 x 68 x 32 inches (Clockwise from top), 137.2 x 147.3 x 172.7 x 81.3 cm, LD853
Installation view, Lucy Dodd, "Wuv Shop", David Lewis, New York, 2015
Installation view, Lucy Dodd, "Wuv Shop", David Lewis, New York, 2015
Lucy Dodd. “(Not titled yet),” 2015, Hematite, cochineal, quarry hill river clay, scobi, foss leaf extract, and mixed pigments on canvas, 73 x 44 x 90 x 60 inches (Clockwise from top), 185.4 x 111.8 x 228.6 x 152.4 cm, LD848
Lucy Dodd, “Shield Painting (2) from Act 1, Movement 6: Wolves & Wanderers of "Maize Mantis”,” 2015, Black walnut and pigment on canvas, (Clockwise from top left): 30 x 30 x 39 x 37 inches, 76.2 x 76.2 x 99.1.x 94 cm, LD374
Installation view, Lucy Dodd, "Jungle Blood," 2015, pigment and mixed media on canvas, 144 x 384 inches, 365.8 x 975.4 cm, LD876, Installed in "Maize Mantis (with Sergei Tcherepnin and Kerstin Brätsch)", The Kitchen, New York
Installation view, Lucy Dodd, “No Man’s Land,” The Rubell Family Collection, Miami, FL, 2015
Installation view, Lucy Dodd, “Death by Water. Death by Fire”, curated by David Lewis, Campoli Presti, Paris, France, 2013, LD551
Installation view, Lucy Dodd, "Guernika", 2014, Spanish hematite, Miami rain water and lavender oil, cochineal, kombucha SCOBY, Rota squid ink, earth from Monasterio de Suso, Aracena, Rio Tinto, la Aldea-Bejes and Guernika, chamomile and pomegranate from Segura de Leon, lichen from Sierra de Gata, yerba maté, Rio Tinto water, mica, spirulina, mixed pigments and Tyrian purple on canvas, 138 x 307.2 inches, 350.5 x 780.3 cm, LD800, Installation at The Rubell Family Collection, Miami.
Installation view, Lucy Dodd, "Cake 4 Catfish," David Lewis, New York, 2013
Installation view, Lucy Dodd, "Cake 4 Catfish," David Lewis, New York, 2013
Lucy Dodd, "2 Doors, 1 Tomb, Coming through the back side of death-right", 2013, Foss Leaf Extract, Yerba Maté, Buckhorn Berries, Wakame!, Liquid Smoke, Wild Walnut Rind, Iron Glimmer, Spirulina, Yew Berries, Hematite, Black Lichen, Urine, Charcoal, Kombucha SCOBY, Fossphorescents, Red Annato, Nettles, Mixed Pigments, and Flower Essences on Canvas, 115 x 92 inches, 292.1 x 233.7 cm, LD002, Installation view, "Cake 4 Catfish", David Lewis, New York, 2013
Lucy Dodd, "2 Doors, 1 Tomb, Coming through the backside of death-left", 2013, Leaf Extract, Yerba Maté, Liquid Smoke, Wild Walnut Kind, Hematite Iron Glimmer, Black Lichen, Bubs Urine, Charcoal, Kombucha SCOBY, Fosphorescents, Yew Berries, Spirulina, Salvia, Nettle, Red Annato, Mixed Pigments, and Flower Essence on Canvas, 115 x 92 inches, 292.1 x 233.7 cm, LD001, Installation view, "Cake 4 Catfish", David Lewis, New York, 2013
Installation view, Lucy Dodd, "The Studio Before 54", No. 5A, New York, 2013
Lucy Dodd, “the humble deep extreme,” 2012, the souls of the shoes of Nanette Lepore, Margiela, Clergerie, a half calf cowboy boot, a no name mule, and a foot with foss mud on canvas, 144 x 144 inches, 365.8 x 365.8 cm, LD375
