Installation II, November 12, 2019 - May 17, 2020
Installation I, September 3 - November, 10, 2019
The Roast of Felix Bernstein
in Notes on Post-Conceptual Poetry launch
Issue Project Room, Artists Space, New York, NY
Categories: Felix Bernstein and Gabe Rubin
URL
Transition Incomplete
Museum of Contemporary Art, Los Angeles, CA
Categories: Felix Bernstein and Gabe Rubin
URL
Bieber Bathos Elegy
written by Felix Bernstein
Whitney Museum of American Art, New York, NY
Categories: Felix Bernstein and Gabe Rubin
Press
URL
Greg Parma Smith, “Gratitude for the Violence of Vision,” 2019, Oil on canvas, 44 x 44 inches, 111.8 x 111.8 cm
Greg Parma Smith, “Stone Pigment Rainbow with Light Rainbow,” 2019, Oil on canvas, 40 x 80 inches, 101.6 x 203.2 cm, GPS668
Greg Parma Smith, “Solar Mask with Light Rainbow Corona,” 2018, Oil on canvas, 28 x 22 inches, 71.1 x 55.9 cm, GPS023
Greg Parma Smith, “I, Intravital Image, Aye-Aye, Eye,” 2019, Oil on canvas, 66 x 50 inches, 167.6 x 127 cm, GPS024
Greg Parma Smith, “Banner Unicorn in Love’s Dimension,” 2019, Oil on canvas, 54 x 52 inches, 137.2 x 132.1 cm, GPS666
Greg Parma Smith, “Solar Growth Panel From Love’s Dimension,” 2019, Oil on canvas, 44 x 44 inches, 111.8 x 111.8 cm, GPS671
Greg Parma Smith, “Sextet Lunar Growth Panel From Love’s Dimension,” 2019, Oil on canvas, 48 x 36 inches, 121.9 x 91.4 cm, GPS669
Greg Parma Smith, “Quartet Lunar Growth Panel From Love’s Dimension,” 2019, Oil on canvas, 48 x 36 inches 121.9 x 91.4 cm, GPS667
Greg Parma Smith, “Heart of Life (The Peaceable Kingdom),” 2019, Oil on canvas, 80 x 72 inches, 203.2 x 182.9 cm, GPS672
The Wolf and the Head on Fire
curated by Christina Lehnert
Portikus, Frankfurt, Germany
Categories: Dawn Kasper
URL
Opening performance, 05/03/2019
Opening performance, 05/03/2019
Performance with James Krone, 05/24/2019
Performance with James Krone, 05/24/2019
Todd Gray
Cartesian Gris Gris
David Lewis, New York
Categories: Todd Gray
Press Release
Press
Artist Talk: Todd Gray in Conversation with Mabel O. Wilson
Todd Gray, "The Haunted House of Olympia (Francis)", 2019, Four archival pigment prints in artist's frames and found frames, UV laminate 66 3/8 x 54 3/4 x 5 inches, 168.6 x 139.1 x 12.7 cm, TG128
Todd Gray, "Onisimo | Leopold", 2019, Three archival pigment prints in artist's frames and found frames, UV laminate, 39 1/4 x 56 x 3 inches, 99.7 x 142.2 x 7.6 cm, TG125
Todd Gray, "Cartesian Gris Gris (Water)", 2019, Two archival pigment prints in artist's frames, UV laminate, 58 3/4 x 66 x 3 inches, 149.2 x 167.6 x 7.6 cm, TG127
Todd Gray, "Cartesian Gris Gris (Stairways)", 2019, Three archival pigment prints in artist's frames and found frames, UV laminate, 47 x 58 1/4 x 3 1/2 inches, 119.4 x 148 x 8.9 cm, TG130
Todd Gray, "Coretta", 2019, Two archival pigment prints in artist's frames and found frames, UV laminate, 51 1/2 x 67 x 3 1/2 inches, 130.8 x 170.2 x 8.9 cm, TG129
Todd Gray, "Palm House Blues", 2019, Three archival pigment prints in artist's frames and found frames, UV laminate, 47 1/4 x 60 x 3 3/4 inches, 120 x 152.4 x 9.5 cm, TG138
Todd Gray, "Euclidian Gris Gris (3)", 2019, Three archival pigment prints in artist's frames and found frames, 58 1/4 x 69 1/4 x 4 1/4 inches, 148 x 175.9 x 10.8 cm, TG102
Todd Gray, "Hoods in the Garden" 2019, Two archival pigment prints in artist's frames and found frames, UV laminate, 51 3/4 x 25 x 2 1/4 inches, 131.4 x 63.5 x 5.7 cm, TG139
Todd Gray, “Akwidaa | Luxembourg,” 2019, Two archival pigment prints in artist's frames and found frames, UV laminate, 34 x 26 x 2 inches, 86.4 x 66 x 5.1 cm, TG140
Mary Beth Edelson
Shape Shifter
David Lewis, New York
Categories: Mary Beth Edelson
Press Release
Press
"Pilgrimage /See For Yourself" by Mary Beth Edelson
Mary Beth Edelson, “Light/Dark Sophia” (front), 1974-1975, Painted plywood, 96 x 48 inches, 243.8 x 121.9 cm, MBE810
Mary Beth Edelson, “Light/Dark Sophia” (back), 1974-1975, Painted plywood, 96 x 48 inches, 243.8 x 121.9 cm, MBE810
Mary Beth Edelson, “Celtic,” 1974-1975, Painted plywood, 96 x 48 inches, 243.8 x 121.9 cm, MBE808
Mary Beth Edelson, “Ishtar,” 1974-1975, Painted plywood, 96 x 48 inches, 243.8 x 121.9 cm, MBE800
Mary Beth Edelson, Untitled, 1974-1975, Painted plywood, 96 x 48 inches, 243.8 x 121.9 cm, MBE801
Mary Beth Edelson, “Georgia,” 1974-1975, Painted plywood, 96 x 48 inches, 243.8 x 121.9 cm, MBE803
Mary Beth Edelson, “Iatik,” 1974-1975, Painted plywood, 96 x 48 inches, 243.8 x 121.9 cm, MBE813
Mary Beth Edelson, “Gloria Sun,” 1974-1975, Painted plywood, 96 x 48 inches, 243.8 x 121.9 cm, MBE802
Mary Beth Edelson, “Shell Venus,” 1974-1975, Painted plywood, 96 x 48 inches, 243.8 x 121.9 cm, MBE804
Mary Beth Edelson, Untitled, 1974-1975, Painted plywood, 96 x 48 inches, 243.8 x 121.9 cm, MBE806
Mary Beth Edelson, “Great Maya (Vessel),” 1974-1975, Painted plywood, 96 x 48 inches, 243.8 x 121.9 cm, MBE811
Mary Beth Edelson, “Red Sophia,” 1974-1975, Painted plywood, 96 x 48 inches, 243.8 x 121.9 cm, MBE805
Mary Beth Edelson, “Bird Isis,” 1974-1975, Painted plywood, 96 x 48 inches, 243.8 x 121.9 cm, MBE816
Mary Beth Edelson, Untitled (Androgyne Biocornix), 1974-1975, Painted plywood, 96 x 48 inches, 243.8 x 121.9 cm, MBE815
Mary Beth Edelson, Untitled, 1974-1975, Painted plywood, 96 x 48 inches, 243.8 x 121.9 cm, MBE812
Mary Beth Edelson, “Bird Tara,” 1974-1975, Painted plywood, 96 x 48 inches, 243.8 x 121.9 cm, MBE809
Mary Beth Edelson, “Louise,” 1974-1975, Painted plywood, 96 x 48 inches, 243.8 x 121.9 cm, MBE817
Mary Beth Edelson, Untitled (Waxing Waning), 1974-1975, Painted plywood, 96 x 48 inches, 243.8 x 121.9 cm, MBE818
Mary Beth Edelson, “Passage,” 1974-1975, Painted plywood, 96 x 48 inches, 243.8 x 121.9 cm, MBE807
Mary Beth Edelson, “Grapçeva Neolithic Cave: See for Yourself,” 1977, Silver gelatin print, Image Dimensions: 19 3/4 x 19 3/4 inches, 50.2 x 50.2 cm, Framed Dimensions: 21 x 21 inches, 53.3 x 53.3 cm, MBE151
Mary Beth Edelson, “The Sacred Manic Goddess Makes Tracks,” 1978, Four silver gelatin prints, Framed Dimensions (Each): 20 7/8 x 20 7/8 inches, 53 x 53 cm, MBE419
Mary Beth Edelson, “The Nature of Balancing,” 1979, Two silver gelatin prints, Image Dimensions (Each): 19 1/2 x 19 1/2 inches 49.5 x 49.5 cm, Framed Dimensions (Each): 21 3/4 x 21 3/4 inches, 55.2 x 55.2 cm, MBE417
Mary Beth Edelson, “Shaking The Grass,” 1977, Three silver gelatin prints, Framed Dimensions (Each): 20 7/8 x 20 7/8 inches, 53 x 53 cm, MBE591
Mary Beth Edelson, “Cliff Hanger,” 1978, Three silver gelatin prints, Framed Dimensions (Each): 21 3/4 x 21 3/4 inches, 55.2 x 55.2 cm, MBE018
Mary Beth Edelson, “Woman Rising/Sky,” 1973 (Printed 1988), Silver gelatin print, Framed Dimensions: 42 x 42 inches, 106.7 x 106.7 cm, MBE635
Mary Beth Edelson, “Public Ritual,” (n.d.), Silver gelatin print, Framed Dimensions: 21 1/4 x 21 1/4 inches, 54 x 54 cm, MBE846
Installation view, "Woman Rising," Corcoran Gallery of Art/ Henri Gallery, Washington D.C., 1974-1975
Lettere dall' interno del
Midway Contemporary Art, Minneapolis, MN
Categories: Hans-Christian Lotz
URL
Hans-Christian Lotz, “Untitled,” 2019, Aluminum, 92 1/2 x 348 x 2 inches, 235 x 883.9 x 5.1 cm, HCL149
Hans-Christian Lotz, “Untitled,” 2019, Aluminum and acrylic glass, 20 1/2 x 12 1/2 x 2 2/5 inches, 52 x 32 x 6 cm, HCL146
Hans-Christian Lotz, “Untitled,” 2019, Aluminum and acrylic glass, 29 1/4 x 16 1/4 x 3 1/4 inches, 74 x 41 x 8 cm, HCL144
Hans-Christian Lotz, “Untitled,” 2019, Aluminum and acrylic glass, 48 1/2 x 28 1/2 x 2 2/5 inches, 123 x 72 x 6 cm, HCL142
Hans-Christian Lotz, “Untitled,” 2019, Aluminum and acrylic glass, 67 1/2 x 41 3/4 x 2 1/2 inches, 171 x 106 x 6 cm, HCL141
Hans-Christian Lotz, “Untitled,” 2019, Aluminum and acrylic glass, 36 x 21 1/4 x 3 1/4 inches, 91 x 54 x 8 cm, HCL143
Hans-Christian Lotz, “Untitled,” 2019, Aluminum and acrylic glass, 24 1/2 x 14 1/4 x 2 2/5 inches, 62 x 36 x 6 cm, HCL145
Hans-Christian Lotz, “Untitled,” 2019, Aluminum and acrylic glass, 20 x 11 x 1 1/2 inches, 51 x 28 x 4 cm, HCL147
Hans-Christian Lotz, “Untitled,” 2019, Aluminum and acrylic glass, 18 1/2 x 9 1/2 x 1 1/2 inches, 47 x 24 x 4 cm, HCL148
Hans-Christian Lotz, “Untitled,” 2019, Steel sink, 29 x 36 1/2 x 19 inches, 73.7 x 92.7 x 48.3 cm, HCL150
Hans-Christian Lotz, “Untitled,” 2019, Steel sink, 29 x 34 1/2 x 22 3/4 inches, 73.7 x 87.6 x 57.8 cm, HCL151
Hans-Christian Lotz, “Untitled,” 2019, Steel sink, 29 x 21 1/4 x 19 3/4 inches, 73.7 x 54 x 50.2 cm, HCL152
Hans-Christian Lotz, “Untitled,” 2019, Steel sink, 29 x 42 1/2 x 22 3/4 inches, 73.7 x 108 x 57.8 cm, HCL153
Hans-Christian Lotz, “Untitled,” 2019, Plastic measuring cups, latex, and cork , Dimensions variable, HCL154
Malene List Thomsen, “Untitled,” 2019, Latex and ink, Dimensions variable, MLT001
These are not obligations but I want to
Curated by Suzy M. Halajian
Hessel Museum of Art, Bard College, Annandale-on-Hudson, NY
with Simon Fudiwara
Categories: Dawn Kasper Uncategorized
Nobody Messes with Her
curated by Merle Radke
Kunsthalle Münster, Münster, Germany
Categories: Mary Beth Edelson
URL
Dawn Kasper
Four Scores (From Zero to Nothing)
David Lewis, New York
Categories: Dawn Kasper
Press Release
Performance Series
Press
Dawn Kasper, “Lost In The Water,” 2017, Acrylic paint and watercolor on fabric, 36 x 36 inches, 91.4 x 91.4 cm, DK764
Dawn Kasper, “Lights 3 (red),” 2018, Electrical cords, copper tubing, light bulbs, lighting fixtures, heat shrink plastic, and carpet, Dimensions variable, DK886
Dawn Kasper, “Universalis,” 2017, Ink on canvas, 16 x 16 inches, 40.6 x 40.6 cm, DK076
Dawn Kasper, “The River,” 2018, Pigmented inkjet print on self adhesive Phototex paper, 30 x 40 inches, 76.2 x 101.6 cm, Unique, DK889
Dawn Kasper, “The Stars,” 2017-2018, Acrylic on fabric canvas, 37 x 43 1/4 inches, 94 x 109.9 cm, DK783
Dawn Kasper, “Great blue heron & the turtle,” 2018, Electrical cords, copper tubing, light bulbs, lighting fixtures, heat shrink plastic, lighting switch, drum, and carpet, Dimensions variable, DK883
Dawn Kasper, “Cover Up,” 2017, Oil paint, acrylic paint, and collage on pigmented ink jet print, 22 1/2 x 29 1/2 inches, 57.2 x 74.9 cm, DK788
Dawn Kasper, “Community,” 2017, Acrylic paint, iridescent paint, gouache, pencil, Venezia lagoon water on canvas, 28 1/2 x 23 inches, 72.4 x 58.4 cm, DK791
Dawn Kasper, “Lights 4 (green),” 2018, Electrical cords, copper tubing, light bulbs, lighting fixtures, and heat shrink plastic, Dimensions variable, DK887
Dawn Kasper, “Illumination,” 2018, Industrial rope, electrical cords, copper tubing, light bulbs, lighting fixtures, heat shrink plastic, lighting switch, Dimensions variable, DK882
Dawn Kasper, “I Took A Nap Here,” 2017, Acrylic paint, watercolor, glue, and sand on canvas, 100 x 62 inches, 254 x 157.5 cm, DK762
Dawn Kasper, “The Key,” 2017, Oil paint, pencil, acrylic paint on stretched burlap canvas, 14 x 10 inches, 35.6 x 25.4 cm, DK778
Dawn Kasper, “The Key,” 2017, Oil paint, pencil, acrylic paint on stretched burlap canvas, 14 x 10 inches, 35.6 x 25.4 cm, DK778
Dawn Kasper, “Lights 2 (blue),” 2018, Electrical cords, copper tubing, light bulbs, lighting fixtures, heat shrink plastic, and carpet, Dimensions variable, DK885
Dawn Kasper, “In the woods with Quanah (Forest Score),” 2018, Rain water, dirt, mud, moss, mushrooms, sand, charcoal, ash, and leaves on canvas, 77 x 61 3/4 inches, 195.6 x 156.8 cm, DK880
Dawn Kasper, “Creation,” 2018, Eight pigmented inkjet prints on self adhesive Photo Tex paper, Image Dimensions (Each): 33 x 25 inches, 83.8 x 63.5 cm, Overall Dimensions: 33 x 339 1/4 inches, 83.8 x 861.7 cm, Unique, DK888
Dawn Kasper, “Lights 1 (black),” 2018, Electrical cords, copper tubing, light bulbs, lighting fixtures, heat shrink plastic, and lighting switch, Dimensions variable, DK884
Dawn Kasper, “Score in 3 Parts: Gold, Red, Pencil,” 2017, Oil, acrylic, iridescent, and pencil on bristol vellum, Artwork Dimensions: 8 x 6 inches, 20.3 x 15.2 cm, Framed Dimensions: 13 1/4 x 10 1/4 x 1 1/4 inches, 33.7 x 26 x 3.2 cm, DK859
Installation view after first performance, Dawn Kasper, “Four Scores (From Zero to Nothing),” David Lewis, New York, 2018
Felix Bernstein and Gabe Rubin
Folie à Deux
David Lewis, New York
Press Release
Press
July 26th Screening and Discussion
Felix Bernstein and Gabe Rubin, “Madame de Void”, 2018, HD digital video (45 minutes), multi-channel surround sound, Edition 1 of 3, with 2AP, FB/GR101
Felix Bernstein and Gabe Rubin, “Madame de Void: A Melodrama” (video still), 2018, HD digital video, multi-channel surround sound, 45 minutes, FB/GR101
Felix Bernstein and Gabe Rubin, “Madame de Void: A Melodrama” (video still), 2018, HD digital video, multi-channel surround sound, 45 minutes, FB/GR101
Felix Bernstein and Gabe Rubin, Seesaw of Desire, 2018, Seesaw, “Blot” figure (costume by James McClain, plaster mold of Rubin’s face, and prosthetic dog nose), wind-up monkey, Genet’s Querelle book cover, paper, vintage mirrors, mirror compacts, wood, rope, and etching, Dimensions variable, FB/GR105
Felix Bernstein and Gabe Rubin, Seesaw of Desire(detail), 2018, FB/GR105
Felix Bernstein and Gabe Rubin, Seesaw of Desire(detail), 2018, FB/GR105
Felix Bernstein and Gabe Rubin, Dog Church of Enlightenment, 2018, Distressed dollhouse church, old perfume bottles, rat skull, and CCTV monitor (1 minute video), Dog Church: 12.01 x 24.02 x 17.99 inches, 30.5 x 61 x 45.7 cm, Pedestal: 48 1/2 x 23 x 12 1/2 inches, 1.3 x 58.4 x 31.8 cm, FB/GR102
Felix Bernstein and Gabe Rubin, Dog Church of Enlightenment (detail), 2018, FB/GR102
Felix Bernstein and Gabe Rubin, Folie à Deux: A Duodrama, 2018, Smart TV monitor, HD digital video (116 minutes), mirrors, distressed and carved antique sofa, sound, noise-cancelling headphones, Mirror & TV: 72 x 48 x 5 inches, 182.9 x 101.6 x 106.7 cm, Sofa: 38 x 49 x 22 inches, 96.5 x 124.5 x 55.9 cm, Edition 1 of 3, with 2AP, FB/GR104
Felix Bernstein and Gabe Rubin, Folie à Deux: A Duodrama (detail), 2018, FB/GR104
Felix Bernstein and Gabe Rubin, Studio of Perched Peerings, 2018, Vintage birdcage, broken statue of Nipper, wind-up music boxes playing four distinct songs, taxidermy hummingbird, wood screen door, rat trap, fabric, fur, wig, and projection (1 minute), Dimensions variable, FB/GR103
elix Bernstein and Gabe Rubin, Studio of Perched Peerings (detail) 2018, FB/GR103
Felix Bernstein and Gabe Rubin, Studio of Perched Peerings (detail) 2018, FB/GR103
Felix Bernstein and Gabe Rubin, Studio of Perched Peerings (detail) 2018, FB/GR103
Felix Bernstein and Gabe Rubin, Studio of Perched Peerings (detail) 2018, FB/GR103
Felix Bernstein and Gabe Rubin, Studio of Perched Peerings (detail) 2018, FB/GR103
Thornton Dial in the 21st Century
Houston Museum of Fine Arts, Houston, TX
Categories: Thornton Dial
Thornton Dial: Image of the Tiger
Museum of American Folk Art, New York, NY; New Museum of Contemporary Art, New York, NY ; American Center, Paris, France; Milwaukee Art Museum, Milwaukee, WI
Categories: Thornton Dial
URL
Hard Truths: The Art of Thornton Dial
Indianapolis Museum of Art, Indianapolis, IN; New Orleans Museum of Art, New Orleans, LA; Mint Museum, Charlotte, NC; High Museum of Art, Atlanta, GA
Categories: Thornton Dial
URL
Green Pastures: In Memory of Thornton Dial, Sr.
High Museum of Art, Atlanta, GA
Categories: Thornton Dial Uncategorized
URL
Lucy Dodd, “Prince Porcupine,” 2018 Cuttlefish ink, black lichen, hematite, Tetley tea, tulip flower extract, yew berries, wild walnut, and pigments on canvas, 45 3/4 x 59 1/2 inches, 116.2 x 151.1 cm, LD725
Lucy Dodd, “Venus and the Bull,” 2018, Cuttlefish ink, annatto, avocado pits and rinds, black lichen, foss leaf, hematite, kombucha SCOBY, onion skins, phosphorescence, polk weed, poppy flower essence, Rose of Sheron essence, sauerkraut, Tetley tea, tulip flower essence, wild walnut, and acrylic paint on canvas , 144 x 144 inches, 365.8 x 365.8 cm, LD732
Lucy Dodd, “The Flight of Aunt Goose,” 2018, Cuttlefish ink, black lichen, chamomile, charcoal, hematite, kombucha SCOBY, nettles, Tetley tea, tulip flower essence, wild walnut, and pigment on canvas, 62 1/4 x 76 1/4 inches, 158.1 x 193.7 cm, LD729
Lucy Dodd, “Fox Fantastic,” 2018, Cuttlefish ink, hematite, Tetley tea, tulip flower extract, poppy flower extract, yew berries, and pigments on canvas, 61 3/4 x 77 inches, 156.8 x 195.6 cm, LD726
Lucy Dodd, “Slowly Snail... Time is Creation's Bubble,” 2018, Cuttlefish ink, charcoal, cochineal, hematite, Tetley tea, tulip flower essence, Rose of Sharon essence, and pigment on canvas, 62 x 77 inches, 157.5 x 195.6 cm, LD728
Lucy Dodd, “Busy Bee,” 2018, Cuttlefish ink, charcoal, hematite, Tetley tea, tulip flower extract, and pigment on canvas, 44 1/2 x 59 1/2 inches, 113 x 151.1 cm, LD731
Lucy Dodd, “A Wink from the Bottom of the Sea,” 2018, Cuttlefish ink, cochineal, spirulina, hematite, and acrylic on canvas, 66 1/2 x 67 1/2 inches, 168.9 x 171.5 cm, LD727
Lucy Dodd, “Peacocktwittering Lashes of the Soothing Sun,” 2018, Cuttlefish ink, hematite, kombucha SCOBY, Tetley tea, tulip flower extract, wild walnut, and pigments on canvas, 64 3/4 x 70 1/4 inches, 164.5 x 178.4 cm, LD724
Lucy Dodd, “Mid Winter's Blue Moon," 2018, Cuttlefish ink, avocado extract, chochineal, hematite, kombucha SCOBY, Tetley tea, wild walnut, graphite, and acrylic on canvas, 66 x 65 1/2 inches, 167.6 x 166.4 cm, LD730
Lucy Dodd, “Grams,” 2018, Pigmented cotton on chair frame, Chair: 31 x 36 x 29 1/2 inches, 78.7 x 91.4 x 74.9 cm, Ottoman: 22 x 22 x13 inches, 55.9 x 55.9 x 13 cm, LD738
Lucy Dodd, “Gramps,” 2018, Pigmented cotton on chair frame, 40 x 40 x 29 1/2 inches, 101.6 x 101.6 x 74.9 cm, LD742
Lucy Dodd, “Scarlet,” 2018, Pigmented cotton on chair frame, 38 x 41 x 30 inches, 96.5 x 104.1 x 76.2 cm, LD741
Lucy Dodd, Spider Eyes, 2018, Pigmented cotton and blue goldstones on chair frame, 36 x 38 x 20 inches, 91.4 x 96.5 x 50.8 cm, LD768
Lucy Dodd, “Starlet,” 2018, Pigmented cotton on chair frame, 35 x 33 x 31 inches, 88.9 x 83.8 x 78.7 cm, LD735
Lucy Dodd, Sweet water, 2018, Pigmented cotton on chair frame, 24 x 26 x 26 1/2 inches, 61 x 66 x 67.3 cm, LD769
Lucy Dodd, “The Executive,” 2018, Pigmented cotton on chair frame, 27 x 24 x 25 inches, 68.6 x 61 x 63.5 cm, LD740
Lucy Dodd, Honey Flowers, 2018, Pigmented cotton on chair frame, 28 x 27 x 29 1/2 inches, 71.1 x 68.6 x 74.9 cm, LD745
Lucy Dodd, Bzzzzz B, 2018, Pigmented cotton on chair frame, 20 x 21 x 24 inches, 50.8 x 53.3 x 61 cm, LD747
Lucy Dodd, “A wash,” 2018, Pigmented cotton on chair frame, 37 x 36 x 30 inches, 94 x 91.4 x 76.2 cm, LD736
Lucy Dodd, “Eat you up buttercup,” 2018, Pigmented cotton on chair frame, 36 x 37 x 31 inches, 91.4 x 94 x 78.7 cm, LD739
Lucy Dodd, “Tipsy Turtle,” 2018, Pigmented cotton on chair frame, 31 x 32 x 29 inches, 78.7 x 81.3 x 73.7 cm, LD737
Lucy Dodd, “On the Knoll,” 2018, Pigmented cotton on chair frame, 37 x 36 x 31 inches, 94 x 91.4 x 78.7 cm, LD744
Lucy Dodd, “Earth Bull,” 2018, Pigmented cotton on chair frame, 24 x 45 1/2 x 41 inches, 61 x 115.6 x 104.1 cm, LD743
Lucy Dodd, Buns in the Grass, 2018, Pigmented cotton on chair frame, 27 x 18 x 45 inches, 68.6 x 45.7 x 114.3 cm, LD746
Lucy Dodd, “May Flower,” 2018, Soft pastel, marker, and stickers on paper, 12 x 12 inches, 30.5 x 30.5 cm, LD733
"Setting the Table", 2003, Shoes, gloves, bedding, beaded car-seat cover, cloth carpet, artificial flowers, crushed paint cans, found metal, frying pan, cooking utensils, chain, wood, Splash Zone compound, oil, and enamel on canvas on wood 75 x 74.5 x 8 inches 190.5 x 189.2 x 20.3 cm
"Art and Nature", 2011, Ceramic vases, wood, paint cans, tin, metal, and enamel on canvas on wood 95 1/2 x 71 1/2 x 5 1/2 inches 242.6 x 181.6 x 14 cm
"Two Coats", 2003, Bedding, coats, found metal, oil, enamel, and spray paint on canvas 81 x 71 x 9 inches 205.7 x 180.3 x 22.9 cm
"Ground Zero: Decorating the Eye", 2002, Clothing, enamel, spray paint, and Splash Zone compound on canvas on wood 76.5 x 108 x 4 inches 194.3 x 274.3 x 10.2 cm
"Black Walk", 2003, Tin, clothing, enamel, spray paint, and Splash Zone compound on canvas on wood 64 x 97 x 3 inches 162.6 x 246.4 x 7.6 cm
"Lady Know How to Hold the Jungle Cat", 1990, Oil, rope carpet, wood, plastic film canisters, and industrial sealing compound on canvas mounted on wood 69.5 x 90/5 x 4 inches 176.5 x 45.7 x 10.2 cm Signed, recto TD lower right
"The Color of Money: The Jungle of Justice", 1996, Fabric, shoe, gloves, jigsaw puzzle pieces, artificial flowers and plants, dolls, stuffed animals, rope carpet, toys, cotton, found metal, other found materials, oil, enamel, spray paint, industrial sealing compound, on canvas mounted on wood 77 x 86 x 12 inches 195.6 x 218.4 x 30.5 cm
"The Top of the World", 1998, Metal, fabrics, paint can lids, rope, nails, industrial sealing compound 78 x 50 x 47 inches 198.1 x 127 x 119.4 cm
Israel Lund / Amy Granat
David Lewis, New York
Categories: Amy Granat Israel Lund
PR
Amy Granat CV
Press
THE RENDERING (H X W X D =)
FRONT International: Cleveland Triennial for Contemporary Art
Allen Memorial Art Museum, Oberlin, OH
Categories: Barbara Bloom
Press
FRONT
Photography by Field Studio
Megan Marrin, "The Legacy (STL)," 2017, Oil on canvas on Styrofoam, 72 x 96 inches, 182.9 x 243.8 cm
Megan Marrin, "The Appointment," 2017, Oil on canvas on Styrofoam, 96 x 72 inches, 243.8 x 182.9 cm
Megan Marrin, "The Keep," 2016, Oil on canvas on Styrofoam, 96 x 72 inches, 243.8 x 182.9 cm
Megan Marrin, "The Sacrifice," 2016, Oil on canvas on Styrofoam, 72 x 96 inches, 182.9 x 243.8 cm
Megan Marrin, "The Hunger," 2016, Oil on canvas on Styrofoam, 96 x 72 inches, 243.8 x 182.9 cm
Megan Marrin, "The Breed," 2016, Oil on canvas on Styrofoam, 96 x 72 inches, 243.8 x 182.9 cm
Megan Marrin, "The Invitation," 2017, Oil on canvas on Styrofoam, 96 x 72 inches, 243.8 x 182.9 cm
The Studio Before 54
No5A, New York
Categories: Exhibitions Lucy Dodd
A Picture, A Thousand Words
David Lewis, New York
Categories: Barbara Bloom
Press Release
Press
Publication
Two Artists Books by Barbara Bloom with Susan Tallman
Fleming Museum of Art, University of Vermont
Categories: Barbara Bloom Exhibitions
URL
