Installation view, “Whitney Biennial 2019,” Whitney Museum of American Art, New York, NY, 2019

Installation view, “Whitney Biennial 2019,” Whitney Museum of American Art, New York, NY, 2019

Todd Gray, “Euclidian Gris Gris (2),” 2018, Four archival pigment prints in artist's frames and found frames, 74 x 47.5 x 5.5 inches, 188 x 120.7 x 14 cm, Unique, TG101, Whitney Biennial, 2019

Installation view, "Euclidian Gris Gris," Pomona College Museum of Art, Claremont, CA, 2020

Installation view, "Euclidian Gris Gris," Pomona College Museum of Art, Claremont, CA, 2020

Installation view, "Euclidian Gris Gris," Pomona College Museum of Art, Claremont, CA, 2020

Installation view, "Euclidian Gris Gris," Pomona College Museum of Art, Claremont, CA, 2019

Installation view, "Euclidian Gris Gris," Pomona College Museum of Art, Claremont, CA, 2019

Installation view, Todd Gray, Art Basel Miami Beach, Nova, Booth N11, 2019

Installation view, “Cartesian Gris Gris,” David Lewis, New York, NY, 2019

Installation view, “Cartesian Gris Gris,” David Lewis, New York, NY, 2019

Installation view, “Cartesian Gris Gris,” David Lewis, New York, NY, 2019

Installation view, “Cartesian Gris Gris,” David Lewis, New York, NY, 2019

Installation view, “Cartesian Gris Gris,” David Lewis, New York, NY, 2019

Installation view, “Cartesian Gris Gris,” David Lewis, New York, NY, 2019

Installation view, “Cartesian Gris Gris,” David Lewis, New York, NY, 2019

Installation view, “Cartesian Gris Gris,” David Lewis, New York, NY, 2019

Todd Gray, “Euclidian Gris Gris (3),” 2019, Three archival pigment prints in artist's frames and found frames, 58 1/4 x 69 1/4 x 4 1/4 inches, 148 x 175.9 x 10.8 cm, TG102

Todd Gray, “Onisimo | Leopold,” 2019, Three archival pigment prints in artist's frames and found frames, UV laminate, 39 1/4 x 56 x 3 inches, 99.7 x 142.2 x 7.6 cm, TG125

Todd Gray, “Cartesian Gris Gris (Water),” 2019, Two archival pigment prints in artist's frames, UV laminate, 58 3/4 x 66 x 3 inches, 149.2 x 167.6 x 7.6 cm, TG127

Todd Gray, “The Haunted House of Olympia,” 2019, Four archival pigment prints in artist's frames and found frames, UV laminate, 66 3/8 x 54 3/4 x 5 inches, 168.6 x 139.1 x 12.7 cm, TG128

Todd Gray, “Coretta,” 2019, Two archival pigment prints in artist's frames and found frames, UV laminate, 51 1/2 x 67 x 3 1/2 inches, 130.8 x 170.2 x 8.9 cm, TG129

Todd Gray, “Cartesian Gris Gris (Stairways),” 2019, Three archival pigment prints in artist's frames and found frames, UV laminate, 47 x 58 1/4 x 1 1/4 inches, 119.4 x 148 x 3.2 cm, TG130

Todd Gray, “Palm House Blues,” 2019, Three archival pigment prints in artist's frames and found frames, UV laminate, 47 1/4 x 60 x 3 3/4 inches, 120 x 152.4 x 9.5 cm, TG138

Todd Gray, “Hoods in the Garden,” 2019, Two archival pigment prints in artist's frames and found frames, UV laminate, 51 3/4 x 25 x 2 1/4 inches, 131.4 x 63.5 x 5.7 cm, TG139

Todd Gray, “Gifty,” 2019, Two archival pigments prints in artist's frames and found frames, UV laminate, 25 3/4 x 19 3/4 x 1 1/2 inches, 65.4 x 50.2 x 3.8 cm, TG126

Todd Gray, “Akwidaa | Luxembourg,” 2019, Two archival pigment prints in artist's frames and found frames, UV laminate, 34 x 26 x 2 inches, 86.4 x 66 x 5.1 cm, TG140

Installation view, "The Assassination of Leon Trotsky," David Lewis, New York, NY, 2018

Todd Gray, “Three Women (2),” 2018, Four archival pigment prints in artist's frames and found frames, UV laminate, 60 x 72 x 3 inches, 152.4 x 182.9 x 7.6 cm, TG104

Todd Gray, “Patterns (2),” 2018, Three archival pigment prints in artist frames and found frames, UV laminate, 29 1/2 x 46 3/4 x 2 1/2 inches, 74.9 x 118.7 x 6.4 cm, TG108

Todd Gray, “Dizz (2),” 2019, Two archival pigment prints in found frames and artist's frames, UV laminate, 25 1/8 x 21 1/8 x 1 inches, 63.8 x 53.7 x 2.5 cm, TG124

Installation view, “Todd Gray: Pluralities of Being,” Palm Springs Art Museum, Palm Springs, CA, 2018

Installation view, Todd Gray: Pluralities of Being, Palm Springs Art Museum, Palm Springs, CA, 2018

Todd Gray, Badness, 2017, Four archival pigment prints in artist's frames and charcoal wall drawing, Dimensions variable, Unique, TG121

Installation view, “Michael Jackson: On the Wall,” The National Portrait Gallery, London, United Kingdom, 2018

Installation view, “Michael Jackson: On the Wall,” The National Portrait Gallery, London, United Kingdom, 2018

Todd Gray, “Portraits couple,” 2018, Three archival pigment prints in artists's frames, UV laminate, 39 x 56 x 3 inches, 114.3 x 167.6 x 7.6 cm, TG105

Todd Gray

born 1954 in Los Angeles, CA
Lives and works in Los Angeles, CA and Akwidaa, Ghana

Solo Exhibitions
Group Exhibitions
Press
Download CV

Press

2020

I Look at Myself as a Subject in the History – Interview with the Conceptual Photographic Sculptor Todd Gray

Chinese Photographers

Interview by Lu Yiwei

September 01, 2020

X-Tra

Artists and Rights, Episode 1: Living a Life While Decolonizing the Mind

July 07, 2020

URL

The Artist Remixing History, from French Gardens to the Cosmos

Aperture

Travis Diehl

March 05, 2020

2019

Episode 16: Todd Gray

Contemporary Art Review Los Angeles

hosted by Lindsay Preston Zappas

November 14, 2019

URL

Artists at Work: Todd Gray

east of borneo

by Silvi Naçi

November 04, 2019

Todd Gray —Conceptual Artist

The Genius List

October 2019

How gallerists choose artists for art fairs

Art|Basel

by Karim Crippa

October 2019

Your Concise Los Angeles Art Guide for Fall 2019

Hyperallergic

September 10, 2019

Todd Gray

Artforum

by Zoë Lescaze

September 2019

Best of L.A. Arts: Fall Preview Pick: Todd Gray at Pomona College

LA Weekly

Alex Distefano

August 27, 2019

Todd Gray Visualizes the Labyrinth of Black Post-Colonial Identity

Frieze

by Mitch Speed

July 24, 2019

Photographic Activities: A Salon

Whitney Museum of American Art, New York, NY

June 16, 2019

Todd Gray: Cartesian Gris Gris

The Brooklyn Rail

by Graham W. Bell

June 2019

The 2019 Whitney Biennial Shows America’s Artists Turning Toward Coded Languages in Turbulent Times

Artnet News

by Ben Davis

May 20, 2019

Artist Talk: Todd Gray in Conversation with Mabel O. Wilson

David Lewis, New York, NY

May 18, 2019

The New Whitney Biennial Made Me See Art History In A New Way

New York Magazine

by Jerry Saltz

May 14, 2019

URL

The Whitney Biennial Called. How Will They Answer?

The New York Times

by Siddhartha Mitter

May 09, 2019

From Exhibitions and Installations to Performances and Collaborations, We Bring You the 25 Most Important Events in Art, Design, Architecture, Fashion and Everything in Between.

Cultured Magazine

May 2019

PDF

Todd Gray at David Lewis, New York

ARTnews

May 08, 2019

URL

The Whitney Biennial Takes On The American Dream

Cultured Magazine

by Dean Kissick

April 2019

URL

Todd Gray: Everything is Everywhere

LA Weekly

by Shana Nys Dambrot

March 08, 2019

2018

How Do You Solve a Problem Like Michael Jackson?

Office Magazine

by John Martin Tilley

September 06, 2018

Todd Gray

Artforum

by Catherine Taft

September 01, 2018

Review: Photographer Todd Gray traces African roots

Los Angeles Times

by Sharon Mizota

July 09, 2018

How Nearly 50 Artists' Attempted to Do the Impossible: Illustrate Michael Jackson's Enormous Influence and Legacy

W Magazine

by Stephanie Eckardt

July 08, 2018

On the wall: Michael Jackson's impact on contemporary art, a decade after his death

Independent

by Sarah Bradbury

June 28, 2018

Datebook: Portraits of peers, collages inspired by the African diaspora and art for feline lovers

Los Angeles Times

by Carolina A. Miranda

June 14, 2018

The Faces of Michael Jackson

Royal Photographic Society Journal

June 2018

2016

How artist Todd Gray fashioned another loving tribute to his friend, Doors keyboardist Ray Manzarek

Los Angeles Times

by Sharon Mizota

June 24, 2016

'Made in L.A. 2016': Hammer Museum biennial proves a thoughtful place to ponder the possibilities

Los Angeles Times

by Christopher Knight

June 23, 2016