Installation view, Sean Paul, "ADVERSARIES, INC," David Lewis, New York, 2017

Installation view, Sean Paul, "ADVERSARIES, INC," David Lewis, New York, 2017

Sean Paul, "Dawn, 0.053 SEC.," 2017, Ultraviolet-curable pigmented ink and acrylic on polyester/polymide, 60 x 114 inches, 152.4 x 289.6 cm

Sean Paul, "Dawn, 0.016 SEC.," 2017, Ultraviolet-curable pigmented ink and acrylic on polyester/polymide, 60 x 114 inches, 152.4 x 289.6 cm

Sean Paul, "Doomsday Watch, 2017," 2017, Ultraviolet-curable pigmented ink and acrylic on polyester/polymide, 35 x 18 1/2 inches, 88.9 x 47 cm

Sean Paul, "Doomsday Watch, 1991," 2017, Ultraviolet-curable pigmented ink and acrylic on polyester/polymide, 35 x 18 1/2 inches, 88.9 x 47 cm

Sean Paul, "Doomsday Watch, 1968," 2017, Ultraviolet-curable pigmented ink and acrylic on polyester/polymide, 35 x 18 1/2 inches, 88.9 x 47 cm

Sean Paul, "Golden Mirror, March 9, 1951 #8," 2017, Metallized Biaxially-oriented polyethylene terephthalate (BoPET), 35 x 35 inches, 88.9 x 88.9 cm

Sean Paul, "Improvements: Ivy Mike, Teller-Ulam -modulation left; British Patent 9745, 1843 (SMPTE, NTSC, CMYK)," 2017, Ultraviolet-curable pigmented ink and acrylic on polyester/polymide, 35 x 40 inches, 88.9 x 101.6 cm

Sean Paul, "Improvements: Ivy Mike, Teller-Ulam –modulation left/right, receding; British Patent 9745, 1843 (SMPTE, NTSC, CMYK)," 2017, Ultraviolet-curable pigmented ink and acrylic on polyester/polymide, 60 x 52 1/2 inches, 152.4 x 133.4 cm

Installation view, Sean Paul, "Collected by Thea Westreich Wagner and Ethan Wagner," Whitney Museum of American Art, New York, 2016

Sean Paul, " Arrangement EOS 4," 2016, Ultraviolet-curable pigmented ink and acrylic on polyester/polymide, 35 x 52 1/2 inches, 88.9 x 133.4 cm

Installation view, Sean Paul, "Communication in the Presence of Noise," Thomas Duncan Gallery, Los Angeles, 2015

Sean Paul, "Kilroy," 2015, Bobbinet, acrylic, and acrylic polymer on canvas, 55 x 82 1/2 inches, 139.7 x 209.6 cm

Sean Paul, "R9," 2015, UV-curable ink and acrylic on canvas, 61 1/2 x 35 inches, 156.2 x 88.9 cm

Sean Paul, "to be titled," 2015, UV-curable ink and acrylic on canvas, 65 x 35 inches,165.1 x 88.9 cm

Sean Paul, "R11," 2015, UV-curable ink and acrylic on canvas, 61 1/2 x 35 inches, 156.2 x 88.9 cm

Installation view, "Blueprints," curated by Stephanie Harris, CCS Bard Galleries, Annadale-on-Hudson, New York, 2013

Installation view, Sean Paul, "A Moveable Feast - Part II," Campoli Presti, Paris, 2013

Sean Paul, "Double Detail (Glade)," 2013, UV-curable ink and acrylic on Sintra, 24 x 32 inches, 61 x 81.3 cm

Sean Paul, "Double Detail (Pond)," 2013, UV-curable ink and acrylic on Sintra, 24 x 32 inches, 61 x 81.3 cm

Installation view, "Every Hair of the Bear," Front Desk Apparatus, New York, 2011

Sean Paul

Born 1978 in Salt Lake City, UT
Lives and Works in New York, NY

Solo Exhibitions
Group Exhibitions
Press
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