• The Assassination of Leon Trotsky
    James Beckett, Hans Bellmer, Willie Cole, Thornton Dial, Mary Beth Edelson, Leon Golub, Felix Gonzalez-Torres, Todd Gray, Jeffrey Joyal, Megan Marrin, Nancy Spero, Manuel Solano, Paul Thek, Portia Zvavahara, David Wojnarowicz
    David Lewis, New York
    September 16—November 04, 2018
Paul Thek, “Untitled (Meat Cable),” 1968-9, wax on steel cable with two turnbuckles, 168 x 3 x 2 1/2 inches, 426.7 x 7.6 x 6.4 cm. Watermill Center Collection, New York.
James Beckett, “Negative Space: A Scenario Generator for Clandestine Building in Africa,” 2015, canvas covered boards with sticker text, framed xerox with pen, aged wooden blocks, shelving, glass, dimensions variable, 319 1/2 x 136 1/2 x 95 1/4 inches,811.5 x 346.7 x 241.9 cm
James Beckett, “Most Notable Car Deaths: 2.3 Seymour Cray, Supercomputer Architect,” 2017, 1995 Jeep Cherokee inner element radiator, working image from Cray research laboratories printed on pyjama velvet, wood, paint, 59.06 x 23.62 x 14.17 inches, 150 x 60 x 36 cm
Hans Bellmer, “La Poupée,” 1949, vintage hand-colored gelatin silver print, 5 1/4 x 5 1/4 inches, 13.3 x 13.3 cm, Framed Dimensions: 14 x 14 inches, 35.6 x 35.6 cm
Hans Bellmer, “La Poupée,” 1949, vintage hand-colored gelatin silver print, 5 3/8 x 5 3/8 inches, 13.7 x 13.7 cm, Framed Dimensions: 14 x 14 inches, 35.6 x 35.6 cm
Willie Cole, “Procession” 2006, scorched plywood, 66 1/2 x 66 1/2 x 1 3/4 inches, 168.9 x 168.9 x 4.4 cm
Willie Cole, “American Domestic,” 2016, digital pigment and serigraph, 36 x 30 inches, 91.4 x 76.2 cm
Thornton Dial, “Rising Water/Signs of Hope,” 2011, tin, wood, wire, fabric, leather, artificial plants, and oil on canvas, 71 x 86 x 10 inches, 180.3 x 218.4 x 25.4 cm
Mary Beth Edelson, “Ana Mendieta,” 1990, oil and mixed media on canvas, 96 x 72 inches, 243.8 x 182.9 cm
Mary Beth Edelson, “Purveyor of Hope,” 1989, oil on canvas with wood frame and lightbulbs, 96 x 72 inches, 243.8 x 182.9 cm
Leon Golub, “Le Combat VI,” 1963, acrylic on canvas, 49 x 36 inches, 124.5 x 91.4 cm. Courtesy the Estate of Leon Golub and Hauser & Wirth.
Felix Gonzalez-Torres, “Untitled (Ross),” 1991, candies, individually wrapped (endless supply), dimensions variable. Collection of Karen and Andy Stillpass.
Todd Gray, “Three Women (2),” 2018, four archival pigment prints in artist's frames and found frames, UV laminate, 54 x 67 x 3 inches, 152.4 x 182.9 x 7.6 cm
Jeffrey Joyal, “Degenerate Cosplay,” 2018, silkscreen ink on G.I. wool blanket, steel tube, hardware, 48 x 36 inches, 121.9 x 91.4 cm
Jeffrey Joyal, “Funny Games,” 2018, MDF, cotton fabric, knockout carnival game piece, woodland tactical netting, fringe, trim, hardware, 29 x 77 x 7 inches, 73.7 x 195.6 x 17.8 cm
Megan Marrin, “Melissa officinalis,” 2018, oil on canvas on Styrofoam, 69 x 29 x 1 inches, 175.3 x 73.7 x 2.5 cm
Manuel Solano, “Liberty,” 2018, acrylic on canvas, 71 x 59 inches, 180 x 150 cm
Nancy Spero, “El Salvador,” 1986, hand printing and printed collage on paper, Image Dimensions: 38 1/4 x 25 1/2 inches, 97.2 x 64.8 cm, Framed Dimensions: 42 3/8 x 29 1/2 x 1 1/2 inches, 107.6 x 74.9 x 3.8 cm. Courtesy The Estate of Nancy Spero and Galerie Lelong & Co., New York.
David Wojnarowicz, “The Redesign of the Dollar Bill,” 1988/1989, collage, spray paint, photography and thread on panel, 46 1/2 x 67 x 2 inches, 118.1 x 170.2 x 5.1 cm
Portia Zvavahera, “Onaiwo Vana Vangu (Watch over my kids),” 2017, oil-based printing ink and oil bar on canvas, 79 x 50 inches, 200.7 x 127 cm