• From Counterculture to Cyberculture
    Lucy Dodd, Israel Lund, Dawn Kasper, Jared Madere, Alex Mackin Dolan, K.R.M. Mooney, Trevor Paglen, Sean Paul and Bruce Connor
    curated by David Lewis
    Altman Siegel, San Francisco
    July 07—September 02, 2017
Installation view, “From Counterculture to Cyberculture,” 2017
Installation view, “From Counterculture to Cyberculture,” 2017
Sean Paul, “Doomsday Watch, 1974,” 2017, Ultraviolet-curable pigmented ink and acrylic on polyester/polymide 35 x 18 1/2 inches, 88.9 x 47 cm
Jared Madere, “To be titled (Matter Harmonic Topiary),” 2016/2017, Sand, flowers, water, broken glass, urethane pigment, glitter, wood, and dirt, 120 x 120 x 12inches (dimensions variable with each manifestation)
Jared Madere, “To be titled (Matter Harmonic Topiary),” 2016/2017, Sand, flowers, water, broken glass, urethane pigment, glitter, wood, and dirt, 120 x 120 x 12inches (dimensions variable with each manifestation)
Jared Madere, “To be titled (Matter Harmonic Topiary),” 2016/2017, Sand, flowers, water, broken glass, urethane pigment, glitter, wood, and dirt, 120 x 120 x 12inches (dimensions variable with each manifestation)
Jared Madere, “To be titled (Matter Harmonic Topiary),” 2016/2017, Sand, flowers, water, broken glass, urethane pigment, glitter, wood, and dirt, 120 x 120 x 12inches (dimensions variable with each manifestation)
Jared Madere, “To be titled (Matter Harmonic Topiary),” 2016/2017, Nail polish, glitter, ink, burns on paper, 13 x 9 inches, 33 x 22.9 cm
Bruce Conner “Christ Casting Out the Legion of Devils,” 1987/2003, Belgian jacquard tapestry, 104 x 115 inches, 264.2 x 292.1 cm
Installation view, “From Counterculture to Cyberculture,” 2017
Lucy Dodd, “Lady Long Gone,” Dye on cotton on metal chair frame, 34 x 36 x 36 inches, 86.4 x 91.4 x 91.4 cm
Installation view, “From Counterculture to Cyberculture,” 2017
Lucy Dodd, “Beyond Blind (1981 1⁄2),” 2013, Foss leaf extract, sumac extract, black lichen, yerba maté, graphite, Bub's urine, anatto, and mixed pigments on canvas, 117 x 117 inches, 297.2 x 297.2 cm
Dawn Kasper, “UH yes, UH no,” 2014/2017, Mackie active speaker, ipod shuffle, snare drum, stand, bells, incense, 36 x 16 x 16 inches, 91.4 x 40.6 x 40.6 cm
Dawn Kasper, “UH yes, UH no,” 2014/2017, Mackie active speaker, ipod shuffle, snare drum, stand, bells, incense, 36 x 16 x 16 inches, 91.4 x 40.6 x 40.6 cm
Installation view, “From Counterculture to Cyberculture,” 2017
Israel Lund, “Untitled,” 2017, Acrylic on raw canvas, 88 x 68 inches, 223.5 x 172.7 cm, IL011
Installation view, “From Counterculture to Cyberculture,” 2017
Installation view, “From Counterculture to Cyberculture,” 2017
Installation view, “From Counterculture to Cyberculture,” 2017
K.r.m. Mooney, “Joan Green, Bimetal IV,” detail, 2017, Steel conduit, linear fluorescent, polyurethane fitting, electrical splicing ribbon, fluval tank heater, cast lavender, silver, steel binding wire, 112 x 12 x 12 inches, 284.5 x 30.5 x 30.5 cm
K.r.m. Mooney, “Joan Green, Bimetal IV,” detail, 2017, Steel conduit, linear fluorescent, polyurethane fitting, electrical splicing ribbon, fluval tank heater, cast lavender, silver, steel binding wire, 112 x 12 x 12 inches, 284.5 x 30.5 x 30.5 cm
Alex Mackin Dolan, “Untitled,” 2017, Wood, synthetic polymer paint, plexiglass, archival inkjet prints, 4 x 30 3/4 x 9 inches, 10.2 x 78.1 x 22.9 cm
Installation view, “From Counterculture to Cyberculture,” 2017
Sean Paul, “Dawn, 0.053 SEC.,” 2017, Ultraviolet-curable pigmented ink and acrylic on polyester/polymide, 60 x 114 inches, 152.4 x 289.6 cm
Installation view, “From Counterculture to Cyberculture,” 2017
Trevor Paglen, “The Last Pictures (Construction of Hoover Dam; The Wow! Signal),” 2012, Two gelatin silver prints, 24 x 32 inches, 60.96 x 81.28 cm
Trevor Paglen, “The Last Pictures (Construction of Hoover Dam; The Wow! Signal),” 2012, Two gelatin silver prints, 24 x 32 inches, 60.96 x 81.28 cm
Dawn Kasper, “UH, YES UH, NO,” 2014, Oil on canvas, 127 x 103 inches, 322.6 x 261.6 cm
Installation view, “From Counterculture to Cyberculture,” 2017
Bruce Conner, “Untitled,” 1975, Oil on canvas, 20 x 20 inches, 50.8 x 50.8 cm
Bruce Conner, “Untitled,” 1975, Oil on canvas, 20 x 20 inches, 50.8 x 50.8 cm